My third postcard from Les was dated 1/11/01, and showed a photograph of The Royal Pump Rooms in Leamington Spa. Les had been touring and reading across the UK, and had even gone as far as Aberdeen, where he said ‘autumn has started’. I had complimented him on a poem of his -‘ An Aunt Legend’ – that I had enjoyed. In my previous letter to him I had sent him my little book of poems, but he said he hadn’t received it, so could I send him a fresh copy. On it, he had put his home address in Bunyah.
My fourth postcard dated 21.10.02 , came from Versailles, and showed a picture of La Maison de la Reine. Again, Les still hadn’t received a copy of my book, and asked me to get the publisher – Waterloo Press – to send one ‘at their expense’.
Basically, our correspondence was centred on my trying to get my little book to Les , and failing!
Finally, I received my last postcard from Les dated 14.11.02. The book had arrived. the front of the postcard showed a lovely linocut, handcoloured by watercolour by Maria Likarz entitled ‘Wien Sommer ‘ 1915, from the National Gallery of Australia. Les wrote as follows:
‘Your ‘Appropriate Country’ got through safely this time. Thank you warmly for it. I like your ruefully honest and I’m sure over-severe authorial judgement of the poems in it. I know the feeling, how dispiriting it is, and how little we can be swayed from it by others. I’m glad you quoted me on the rear jacket. Best wishes and cheers – Les Murray.
And that ended my little postcard journey with Les. I continued to read his prodigious output of poetry.
Some time later I enjoyed reading Daljit Nagra’s appreciation of Les in the Review in Saturday’s Guardian (3/9/2011), in the series ‘My Hero’, where he wrote:
‘It may be not obviously apparent, but the Usain Bolt of modern poetry is surely the great Australian poet Les Murray’.
Murray’s verve, energy and his ‘baroque linguistic excess’ to quote Daljit Nagra, certainly continues to inspire me.